Thursday, July 19, 2007

REFLECTION PERCEPTION


I have been thinking a lot lately about art which seems to reflect and art which seems to perceive. Sometimes I feel empty when I look at some art. The colours may be great, the work competently produced and so on, but once I look away nothing is left for me to think about. In a way mimicing mass media [I know the academics would find this interesting]. Whereas other art can grip your heart and imagination taking you to places within yourself. I recently saw an exhibition by a Brisbane artist called Michael Eather. I thought the whole exhibition was really interesting, but there were two really fantastic paintings which whirled with colour and movement, but were quietened by a single beautiful stingray which seemed to glide across this vibrant sea. I still think about these two paintings weeks after seeing them. To me that is a sign of art which is not merely reflective but has some sort of power of perception which is a result of the artist drawing in, mulling around, thinking, loving, imagining and then creating. I believe artists who do this may not be conscious of the process, but some sort of faith shows through.
I'm not sure that art which mimics mass media or tries to outdo photography can survive without art which perceives. There needs to be a balance. I believe the latter creates/invents new symbols which like all symbols mean more than words can say. Relective art is a reminder whereas perceptive art is a remembering of humanity which resonates at a level which some would say is spiritual, others may call it cellular memory. Whatever it is, the vibrations caused by perception awaken rather than remind.
I like to think my own art has this quality of perception and given the type of comments my work receives I believe this to be so. I have recently had some amazing reactions to my work from someone 'getting' the potential for Peace through art, someone feeling vibrations which I sensed disturbed them because he felt they were coming from somewhere else and someone who hugged me.
The painting above 'Heaven and Earth' will be in my next solo exhibition at Doggett Street Gallery, Newstead, Brisbane opening 12 th October.

Wednesday, July 11, 2007

INTO THE DISTANCE


When I lived in Goondiwindi [on the border of Queensland and NSW] I used to exhibit in Brisbane and other places in S.E Qld. Since moving to Brisbane seven years ago, and having exhibited internationally, I have been asked to make some presentations about creative industry export. One of my 'lines' is to say that exhibiting in Brisbane from Goondiwindi was like exhibiting in another country! The only differences were not having to deal with foreign currency exchange rates and huge cultural differences. I say 'huge' because there are cultural differences even between rural and urban Australia. They are subtle, but they do exist.

Recently I havebeen asked to make some public comments about trade and export. I have thought about this quite a lot. The world's history can be mapped through the impetus to exchange goods ie: trade. From the earliest of times when bartering took place 'trade' has fulffiled various needs. As civilisation becomes more sophisticated these needs are accompanied by wants.

Needs and wants are very basic human characteristics. Maslow and various other psuchologists have tried to identify the impetus and the motivations for human endevour. I think trade and export are fundamental oucomes of human existence.

Trade and export rely on relationships between individual people, small and large commercial enterprises and countries doing business. Without these relationships other types of interaction maybe different ie: political, diplomatic. Whilst world trade and export activity is highly complex their existence relies on being able to fulfill human needs and wants. In the troubled times in which we live trade and export are important conduits to keep lines of communication and connection open.



Driving Into The Distance Oil on linen 80 x 120 cm
Cheers,
Kathryn

Tuesday, July 03, 2007

Inside and Outside

My exhibition opening at The Upfront Club in Maleny last Thursday went fabulously well. Even though it was the coldest night of nights people ventured out. I had a room full of people to listen to my artist's talk which went really well with people asking me questions later on in the evening. The exhibition continues until July 31 @ The Upfront Club 31 Maple St, Maleny.

I have mentioned before on this Blog the idea of ridding oneself of thoughts, beliefs and feeling which are not useful to an abundant life. Letting go and releasing thus making space for positive thoughts, beliefs and feelings is enticing and achievable with sustained effort. I say 'effort' because for me it can be an effort to rid those automatic responses which pounce when things are depressing or difficult. However, I am pleased to say that I am winning the battle! I now notice that there are new automatic responses which are far more useful to me and I am sure to those who live with me! Namely...my children!

The painting above is called 'Inside The Vastness'. It is essentially a landscape showing the energy within the vastness of our land and how this energy forms our landscpae. I also like to think of the human psyche as a 'Vastness'. Whilst looking at the landscape we can say we have perspective. When we imagine being inside the landscape we can say we have perception. So it maybe the same for us as human beings. We can have both perspective and perception...perspective of the world around us and perception about our internal lives.

Inside The Vastness Oil on linen 80 x 120 cm